I think this young Border Collie has become something of a muse – I have painted this lovely face several times, because of the expression and those wonderful orange eyes. The reference photo came out nice and sharp and the colours were bright – always a bonus.
‘Good Lass’ was painted with a neutral pale brown/dark sand colour to complement her eyes and it was also a good background for a black and white coat.
Hot off the easel and straight into my Artfinder store!
This was a recent commission for a client in Germany who contacted me via a friend. They had recently had to say goodbye to their beautiful golden retriever and I was honoured to be asked to create a portrait of her with one of her favourite toys. Hopefully the painting will give a little comfort to the family at a very sad time. RIP Tessa.
We visited the Paisley Art Institute Annual Exhibition last week and wow what a fantastic selection of artwork there is. It was very well attended at the preview and there was a great buzz at the venue. The ex-supermarket location was spacious and well lit with plenty of room to manoeuvre around the viewers.
I was delighted to spot my little pug, sharing wall space with other small paintings by artists I greatly admire. I hope he enjoys his time at this exhibition and maybe, just maybe, he might be lucky enough to find a new home.
I was approached a few weeks’ ago by an old school friend, Ann on Facebook to see if I would like to donate a piece of art for an upcoming Art Exhibition & Auction being held in Chester, U.K. by the Brooke organisation which helps working horses, donkeys & mules around the world.
It educates the owners to work their animals without causing distress or suffering. Of course, I wanted to do my bit and contribute to such a great cause, so after a chat with Ann about what would be suitable and her help with the text to accompany the artwork, I found a reference photo by Leslie Charlesworth which was available to use with his permission and modified it to produce a pastel painting called ‘Resignation’.
The title explains the feeling that this mare has, as you can see what she is dealing with in the reflection of her eye if you look closely.
I hope that the auction raises a good amount for the Brooke organisation to further their work.
Following on from my delight at having a painting selected for last year’s Paisley Art Institute’s annual exhibition which consequently sold, I am absolutely chuffed to bits to let you know that I have been selected for this year’s PAI exhibition too.
‘Pug Dug’, acrylic on canvas panel, will be taking part and I couldn’t be prouder!
Exhibition runs from 7 September – 20 October 2019 at the Piazza, Central Way, Paisley, PA1 1EL, Scotland.
I’ve been having a sort out in the studio. This is always dangerous to my bank account, as I clear out brushes that need replacing, dried up tubes of paint that need replacing and creased paper or damaged canvases…that need replacing!
It didn’t stop there, I started looking at paintings that I haven’t got round to framing and decided that one or two, or three would look more presentable if they were. This is always a tricky decision for artists. Should you leave them frameless so that the buyer can choose a suitable frame according to their tastes or interiors. Or do you bite the bullet and invest in a frame to give the artwork a finished feel and ‘ready to hang’ option?
Well, after biting the bullet, here are some before and afters to let you see the difference.
Back in May, I blogged about having a painting accepted for the Paisley Art Institute’s Annual Exhibition in Glasgow, well I’m very happy to let you know that my little ‘Siamese’ painting actually sold. This is the first time I have entered a major exhibition and was knocked out to have a painting accepted, but the icing on the cake was when I visited the show with a friend, only to find a small red dot on my label! Yay!
The gallery was extremely quiet and echo-ey so my friend and I had to do silent ‘whooping’ and slow motion jumping up and down so as not to disturb any of the viewing public!!
Our village woke up to house alarms battling with the dawn chorus this morning, signalling a power cut which lasted until late afternoon.
This resulted in a mad dash with a friend to the nearest ‘powered up’ café for a caffeine hit and then leaving housework aside (no hoover, washing machine or steam iron in use, yay!) and settling down to paint (no electricity needed, double yay!!).
This little seascape study was the result. As the saying goes ‘When life gives you lemons, make lemonade’!
When I decided to change my career and become a self-employed artist a few years ago, little did I think I would be selling my paintings and undertaking commissions, but even more surprisingly did I ever think I would be taking part in a prestigious art exhibition!
This painting, ‘Siamese’, from a photo reference by Charlotte White, has been accepted into the Paisley Art Institute’s 130th Annual Exhibition and I can’t tell you how chuffed I am 😁
This Unison pastel painting on Pastelmat is of my studio assistant, looking pensive. I like slightly unusual poses of animals to work on – candid shots can produce interesting portraits.
Pastelmat paper by Clarefontaine is a slightly unusual surface to use, almost like a very, very fine sandpaper so that the ‘tooth’ of the paper texture holds the chalkiness of pastels. I found it a tricky paper to use to start with but the more I use it the easier it gets and the end result makes for a smooth pastel painting, great for details.