Fresh Fields … New Opportunities

I can’t believe it’s been almost 12 months since I last posted on my blog, but it has been a busy period! Since last December, we have sold our home in Scotland and moved 200 miles south to our new home in Herefordshire. Moving during a pandemic has been… well, challenging shall we say, but we are now settled in a lovely village with a friendly community.

Although I miss my pals up north, it has meant that we are now closer to family and will see more of them.

Fresh fields mean new opportunities and I’ve now got my studio set up and cracking on with commissions and other work, meeting new people and getting involved in art societies as well as village life.

I’ll be posting much more regularly than in the past year, so watch this space!

In the meantime, here are a few recent works which have been produced in my new space.

Quadruple Portrait – Acrylic on Canvas
Head Study – Pencil on Paper
Sheepdog Pup – Pastel on Pastelmat

The Frame Game

I’ve been having a sort out in the studio.  This is always dangerous to my bank account, as I clear out brushes that need replacing, dried up tubes of paint that need replacing and creased paper or damaged canvases…that need replacing!

It didn’t stop there, I started looking at paintings that I haven’t got round to framing and decided that one or two, or three would look more presentable if they were.  This is always a tricky decision for artists. Should you leave them frameless so that the buyer can choose a suitable frame according to their tastes or interiors.  Or do you bite the bullet and invest in a frame to give the artwork a finished feel and ‘ready to hang’ option?

Well, after biting the bullet, here are some before and afters to let you see the difference.