‘Next Cab Off The Rank‘

In Liverpool, where I grew up, this is a phrase used to mean ‘on with the next thing’ often quoted by the late, great Paul O’Grady. Well the next ‘cab’, or exhibition, for me is a first… I’m taking part in the very popular Herefordshire Arts Week (H.Arts) 2-10 September and it’s quite exciting!

In our little village of Leintwardine, the historic grade 1-listed 12th century St Mary Magdalene church will be playing host to a collective of 16 creatives who will be showcasing their work from art, ceramics, woodwork, bronzes, millinery plus more. Most work will be for sale too.

Here’s a small selection of my animal paintings that will be available.

Come and visit – there are two venues in Leintwardine – venue 119 which is Lou Lothian’s beautiful pottery and venue 120 the above mentioned collective group in the village church.

Details of all venues and locations around Herefordshire, can be found on the H.Arts web site – just click this link… http://www.h-art.org.uk

See you there!

Exhibitionitis!

Well it’s turning into a fairly busy year, exhibition-wise. There are a lot of available art exhibitions to submit work to, very tempting, but I’m trying to build my stocks up in between commissions, so I’ve limited myself to the following events…so far.

The Ludlow Art Society and Association of Animal Artists exhibitions are on at the moment, Ludlow actually closes today and I’m delighted to write that ‘Barb’ sold at that one, yay! The Rose Paterson gallery at Weston Park near Shifnal, UK is the setting for the AAA exhibition and it makes for a grand day out, as the grounds are gorgeous, the work on show is amazing and the café does a great flat white!

In a month or so, my donated 5” x 7” ‘postcard’ will be displayed in Vancouver, alongside many others, in the annual Twitter Art Exhibition – monies raised will benefit the Urban Native Youth Association – so if you’re in that Canadian neighbourhood, don’t miss it.

Then later in the year, I’ll be taking part in H-Arts which is the Herefordshire arts festival here in the UK and I’ll be exhibiting alongside a collective of local artists in our village church… very exciting!

Here are some of my submissions to the various exhibitions.

Exhibitionitis – is that a thing, is there a cure?!

‘Barb’ – sold at Ludlow Art Soc Spring Exhibition
‘Red Cow’ at Weston Park – Assoc of Animal Artists exhibition
‘Locked On’ – at Weston Park – Assoc of Animal Artists exhibition
‘Young Fox’ at Ludlow Art Soc Spring Exhibition
‘Border Collie’ for Twitter Art Exhibition 2023

Fresh Fields … New Opportunities

I can’t believe it’s been almost 12 months since I last posted on my blog, but it has been a busy period! Since last December, we have sold our home in Scotland and moved 200 miles south to our new home in Herefordshire. Moving during a pandemic has been… well, challenging shall we say, but we are now settled in a lovely village with a friendly community.

Although I miss my pals up north, it has meant that we are now closer to family and will see more of them.

Fresh fields mean new opportunities and I’ve now got my studio set up and cracking on with commissions and other work, meeting new people and getting involved in art societies as well as village life.

I’ll be posting much more regularly than in the past year, so watch this space!

In the meantime, here are a few recent works which have been produced in my new space.

Quadruple Portrait – Acrylic on Canvas
Head Study – Pencil on Paper
Sheepdog Pup – Pastel on Pastelmat

The Frame Game

I’ve been having a sort out in the studio.  This is always dangerous to my bank account, as I clear out brushes that need replacing, dried up tubes of paint that need replacing and creased paper or damaged canvases…that need replacing!

It didn’t stop there, I started looking at paintings that I haven’t got round to framing and decided that one or two, or three would look more presentable if they were.  This is always a tricky decision for artists. Should you leave them frameless so that the buyer can choose a suitable frame according to their tastes or interiors.  Or do you bite the bullet and invest in a frame to give the artwork a finished feel and ‘ready to hang’ option?

Well, after biting the bullet, here are some before and afters to let you see the difference.

 

Hibernation

Well it doesn’t look like Spring is happening just yet with a light snowfall and sub zero temperatures outside, so the studio assistant has decided that she may as well carry on with her hibernation studies.  She’s very good at dozing … not so much at assisting in the studio … but she knows where her strengths lie!

Paisley Art Institute – Part 2

Back in May, I blogged about having a painting accepted for the Paisley Art Institute’s Annual Exhibition in Glasgow, well I’m very happy to let you know that my little ‘Siamese’ painting actually sold.  This is the first time I have entered a major exhibition and was knocked out to have a painting accepted, but the icing on the cake was when I visited the show with a friend, only to find a small red dot on my label!  Yay!

The gallery was extremely quiet and echo-ey so my friend and I had to do silent ‘whooping’ and slow motion jumping up and down so as not to disturb any of the viewing public!!

IMG_0728

Paisley Art Institute

When I decided to change my career and become a self-employed artist a few years ago, little did I think I would be selling my paintings and undertaking commissions, but even more surprisingly did I ever think I would be taking part in a prestigious art exhibition!

This painting, ‘Siamese’, from a photo reference by Charlotte White, has been accepted into the Paisley Art Institute’s 130th Annual Exhibition and I can’t tell you how chuffed I am 😁

Lily

This Unison pastel painting on Pastelmat is of my studio assistant, looking pensive.  I like slightly unusual poses of animals to work on – candid shots can produce interesting portraits.

Pastelmat paper by Clarefontaine is a slightly unusual surface to use, almost like a very, very fine sandpaper so that the ‘tooth’ of the paper texture holds the chalkiness of pastels.  I found it a tricky paper to use to start with but the more I use it the easier it gets and the end result makes for a smooth pastel painting, great for details.

image