Association of Animal Artists

After a bit of thought and deciding to just go for it, I applied to join the Association of Animal Artists and was delighted to be accepted. There are amazing artists with an incredibly diverse approach to creating animal art in this group. I’m looking forward to admiring the work and linking up to other artists as well as taking part in various exhibitions and social events. Yay!

Mini Artworks

I’ve been doing a few paintings on small 5” x 7” canvasses recently and enjoying scaling down – the longest side is about the length of a standard pencil. A good excuse to dust off my tiny ‘000’ brushes. The new smaller sizes mean I can offer a lower price for commissions and sales, yay! That is, as long as the subject will fit on a postcard size format! Here’s a couple of recent examples…

Moss
Bertie

A Different Angle

I took some photos of my friend’s Jack Russell Terrier recently and decided that I’d do a pastel portrait of this little pooch gazing up at her owner. A different style of composition to my usual and fun to do. The portrait was a surprise gift and Pimm’s owners instantly recognised their little cutie… phew!

It’s interesting that you don’t always need to capture a pet’s face to strike a chord of familiarity to the owner, they’ll know them from any angle.

Unison pastels on Clairefontaine Pastelmat 12″ x 9″.

‘Pimms’

Fresh Fields … New Opportunities

I can’t believe it’s been almost 12 months since I last posted on my blog, but it has been a busy period! Since last December, we have sold our home in Scotland and moved 200 miles south to our new home in Herefordshire. Moving during a pandemic has been… well, challenging shall we say, but we are now settled in a lovely village with a friendly community.

Although I miss my pals up north, it has meant that we are now closer to family and will see more of them.

Fresh fields mean new opportunities and I’ve now got my studio set up and cracking on with commissions and other work, meeting new people and getting involved in art societies as well as village life.

I’ll be posting much more regularly than in the past year, so watch this space!

In the meantime, here are a few recent works which have been produced in my new space.

Quadruple Portrait – Acrylic on Canvas
Head Study – Pencil on Paper
Sheepdog Pup – Pastel on Pastelmat

Border Collie

Good Lass

I think this young Border Collie has become something of a muse – I have painted this lovely face several times, because of the expression and those wonderful orange eyes. The reference photo came out nice and sharp and the colours were bright – always a bonus.

‘Good Lass’ was painted with a neutral pale brown/dark sand colour to complement her eyes and it was also a good background for a black and white coat.

Hot off the easel and straight into my Artfinder store!

http://www.artfinder.com/rosiemarkartwork

Tessa

This was a recent commission for a client in Germany who contacted me via a friend.  They had recently had to say goodbye to their beautiful golden retriever and I was honoured to be asked to create a portrait of her with one of her favourite toys.  Hopefully the painting will give a little comfort to the family at a very sad time.  RIP Tessa.

Tessa

The Frame Game

I’ve been having a sort out in the studio.  This is always dangerous to my bank account, as I clear out brushes that need replacing, dried up tubes of paint that need replacing and creased paper or damaged canvases…that need replacing!

It didn’t stop there, I started looking at paintings that I haven’t got round to framing and decided that one or two, or three would look more presentable if they were.  This is always a tricky decision for artists. Should you leave them frameless so that the buyer can choose a suitable frame according to their tastes or interiors.  Or do you bite the bullet and invest in a frame to give the artwork a finished feel and ‘ready to hang’ option?

Well, after biting the bullet, here are some before and afters to let you see the difference.

 

Paisley Art Institute

When I decided to change my career and become a self-employed artist a few years ago, little did I think I would be selling my paintings and undertaking commissions, but even more surprisingly did I ever think I would be taking part in a prestigious art exhibition!

This painting, ‘Siamese’, from a photo reference by Charlotte White, has been accepted into the Paisley Art Institute’s 130th Annual Exhibition and I can’t tell you how chuffed I am 😁